4/14/2006

Number Six Dream.



Right now in Madrid it's 9 in the morning on April 15th. The sun came up at 6:44 AM or so over El Parque del Retiro and poured down th' Gran Via and Calle Alcala until it hit the Puerta del Sol, cresting and flooding into the Plaza Mayor just like the River Prettier'n Fuck overtaking its banks after a two-foot deluge of Dubloons. Recoletos and Lista and Ibiza and Atocha are all waking up and stretching in that goddamn sunshine.

There's a little outdoor cafe on La Castellana right about where Martinez Campos runs into it and it's god damn pretty. There's a couple of business types in suits and sunglasses nursing an espresso and a cafe au lait and there's a girl and a young guy holding hands and some old people feeding the birds. Old guys in black berets and they still smoke those god damn Ducados.

A warm, caressing wind is wending its way lazily in from the northeast. Man, it's great. School kids are running for the metro, bags bouncing on their backs, rust-colored candied cacahuetes in their hands in those little shrinkwrap tubes. Have they still got that tangy strawberry gum you used to get in those machines on th' metro? Of course they fucking do. It's Madrid, man.

There's a little town way out there past Aravaca called Pozuelo that I used to ride my bike through. Cobblestones. White-washed buildings. Tiny alleys. It all smells like frying olive oil and potatoes and old lady's cologne and exhaust and earth. There's a tiny little grocery where you could get trading cards and licorice and single cigarettes.

When you're young, man, you've got all kinds of crazy fucking dreams. They're all impractical and that's the best part. When you've taken a few to the teeth your dreams get a little more practical, don't they? See, I have this grown up dream- it's just one of many, you know? They're all in my little Walter Mitty vault, dig? You've got them too. But this one's my favorite- this is Number Six Dream and it involves moving to Madrid, singing and playing piano in boites and slowly drinking myself to death.

I've got a lot of research to do on Number Six. How long would it take a 41-year old with a not-too-trashed liver to deep six it from booze? If you're really serious and methodical about it? 15 years? I'm talking assiduous. Obviously it has to be straight vodka, right? I have to be able to work, man. I have to be able to make enough as a singing, jazzing norteamericano to afford one of those little ground-floor warrens off Puerto del Sol. I remember those little apartments. They rocked. Off th' Plaza Mayor. Little old ladies in black peeling potatoes on the doorstep. Tippling anise and cognac.

Would anise be better? Faster?

I think moving to Madrid and playing and singing in nightclubs and slowly drinking myself to death would be the fuckin' bomb, man. I'd be a mysterious figure in the pre-dawn mist, shuffling down Conde de Aranda in a trenchcoat after a night of singing Smoke Gets In Your Eyes and These Foolish Things and a little scatty be-bop for the hipsters. After another night of straight vodka from the bar and anis from the hip flask and blowing the lyrics and crying a little.

I'd be El Americano but first people would think I was from Argentina or Venezuela because I speak that strange, affectless Spanish. They would have to lean in close to hear me speak in that husky whisper that identifies the serious alcoholic. I'd be an intriguing character with my silence and my old-world deference. I'd listen to everything people had to say, listening, always listening for something to make me change my mind. I'd never hear anything like that. Because my mind would have been long-made-up.

Number 6 would take a lot of planning, man. How long can you get a work permit for in Spain? Could I go under the radar? It's not like I'd be going to the hospital, you know. Maybe just once for the cirrhosis diagnosis. They give you this medication you can't drink on. You get seizures. I saw this alcoholic get them once and he was bashing his head into the concrete floor and bleeding like a stuck pig and foaming at the mouth and I wrestled him into a bear hug and wrapped him in a blanket head to toe and cleared his airway and sat on him while he seized and seized and bled and spewed all over me. He would always avoid me after that. I don't blame him. Saving a dude's life is a little intimate. Its funny because I remember thinking when it happened am I going to have to mouth to mouth him through that puke and spew please don't make me.

We couldn't have that. No ugliness like that. Just a slow, elegant wasting until Dona Sainz de la Masa would find me face-down in my tiny kitchen one morning when she was delivering my dry cleaning. All those nice suits.

I wonder if there's enough work like that in Madrid. Probably. Especially for an American. El Americano. El Americano borracho y elegante. El Americano quien esta matandose lentamente.

Wouldn't that be the fucking bull's nuts? Playing piano and singing in Madrid and slowly drinking yourself to death?

That's a beautiful city, man. A beautiful, sad, old world city. I love it there. I love El Parque del Oeste and th' Puerta de Hierro. I'd be honored to die there. It would be worth writing about.

Number Six Dream, baby.

4/11/2006

I Don't Want To Have To Be Th' Second Shooter, Jeebis. Not Now, Jeebis.

I mean, think about it. I'm 41 and hale of body but I've sort of done my thing, you know? I mean, I don't know if it's a lack of character or imagination on my part but I'm at a real sort of dead end. I struggle to hear some sort of voice telling me what to do. It is the hardest thing I've ever come up against; it's a theme that reappears in every song I write and expresses itself in dreams with impressive ingenuity.

When it comes to music I'm damned with a commercial spirit. I think pop songs should be put on records and played. So the idea of toiling away in my studio with this or that complement of players with the end of making great recordings that 15 people dig leaves me a little cold. It's a lot of work. To make something that's affecting and effective, something that doesn't require the listener to suspend disbelief just takes a lot of fuckin' sweat, man. To make music with integrity (I mean sonically and compositionally, not some U2 Behind The fucking Music shit) requires integrity and sometimes you have to dig deep for that shit. And there's the whole having to spend 50 hours a week doing some wholly unacceptable, bullshit, pointless, for-the-fucking-birds-shitass job that you have to do when you can't sell records or draw a crowd.

I come back to the dreams that used to jerk me awake in '00- the dreams where I would remember some Christ-awful sacrifice I made for my would-be careeeer and I'd be like that was for nothing. Remember that one fucked-up sacrifice that robbed you of age 74? That was for nothing. That bothered me more than anything. That's what fucking got under my skin. I was like Sheen in that room at the beginning of Apocalypse Now.

Look, man- I can live with all this, you know? I know I'm fucking lucky to be alive. It's just that I wish I could just do my fading-into-the-wallpaper-of-humanity-not-appearing-on-Wikipedia- Willy-Lomax trip at a time when the fabric of the universe wasn't shredding. That would make it a little more poignant than having to go through this with the whole fucking house of cards tumbling shit.

Things have gotten really, really, really bad. It's too much to wrap your fucking head around. Things are getting so fucked up in this country so fast that it's going to take decades to get back to Merely Stupid. I mean, I might not even fucking see it. It's like when you lose a piece of gear or get something stolen on a gig and in practical financial terms you won't recoup the loss for three gigs. And fucking christ did we lose a '59 Custom Tele under the stage at Spaceland in fucking 2000.

The thing with Bush et. al. that is doing me the most damage, aside from the calories wasted on sheer disgust, is that my whole social outlook has changed. I see the Right's continued support of this shit as an indication of poor character at this point, as just the most craven fucking dupery. I didn't used to see things that violently. I used to think that people were as diverse as their backgrounds and that would naturally be reflected in their views. And I used to interact just fine with all manner of rednecks and Marines and old rich fucks.

Now I really do see them as greedy lunatics and dangerous and not worth my time. And I'll cut a social exchange with a fellow citizen short if I hear this shit start to come out. I will suddenly have to attend to a prior fucking engagement right pronto. I don't want to debate these shit heads! Come on! Come on!!! Christ! These fucking people are wierd, man. Man, I see fucking Yellow Ribbon one on their fucking car and I'm not Dropping The Kid Off there, man. These people are actually stupid enough to vote (?) an administration into office on one set of issues and sit on their hands when a wildly incongruent agenda appears magically from the mysts of avafuckinglon. TWICE. Man, people like that? People like that you can't trust to pick the lint off your nuts, man! Didn't your parents teach you anything about character? Come on!!

And these people at their worst, see, the thing with 'em is that they celebrate their greed and their stupidity. It's a big fucking yee-haw to these wiping-their-ass-with-other-people's-faces hayseeds.

I used to have my own hard-earned doubts about th' Welfare State, man. I always worked hard. I had my doubts. I took the line The fucking Man dropped, you know? Hey, we've all got our doubts at th' end of the day, right? Where is the line on shit? Where is the line on abortion? Where's the line on supporting indigent folk, y'know?

Tell you one fuckin' thing right now, my fellow citizens- I'd rather see our tax dollars used to support the coke habits of every fucking Crip and Blood and gang member and crack dealer than to see how they're being used now. I would rather live in the most ostentatiously misguided, entitlement-crippled, huge-government-money-wasting lefty nightmare than to continue on like this.

I can't keep track of the deceit, the chicanery, the stealing, the killing, the betraying, the lying. You would have to have a six-member clipping staff working around the clock to keep you abreast of the sheer, vengeful, unmitigated fucking about of this administration. And the breathtaking stupidity and arrogance and short-sightedness of our leaders. And the smug nihilism. And the chickenhawk-bring-it-on-I-have-a-miniscule-dick faux macho swagger. And how Bush tries to be funny. How he treats his public appearances like a joke. And the central conceit has to be there, like with any professional stand-up guy. And with Bush it's That He's Stupid. He's th' Stupid Guy! Like Steven Wright is th' Scary Guy! And Emo Phillips is the Dorky Guy! And Bill Cosby is th fuckin' Asshole Dude. Bush is Th' Stupid Guy! And he plays it and plays it like an 8-year old when you make the mistake of laughing at their cute fart joke. He's like the...the...the meta president, you know what I mean? I mean, he's up there, you know, and you're down here, and ain't it kooky! He's going to tell ya about Bein' President! How crazy it is, Playing The President. How a typical day goes! Woah! He gets out of bed, shoves a huge vibrator up his ass and orders a thousand innocents slaughtered for oil! Yup! All in a day for The Man Playing The President, dearies.

Somebody ought to steal through a window and garrotte this guy, my friends. We'd all be th' better for it. I'm just sayin'.

What's it like? What's it like? What's that central metaphor, that image that sums it up?

I don't know, man. I don't know on this one. I couldn't tell you. I'll leave it to better minds. I'll leave it to history. Boy, that's a scary thought huh? History? Oh, people are going to think we were assholes!!!!

So yeah, I just wish I could finish realizing my midlife insignificantizing in a slightly different world. It's just mean this way. When I see how mediocrity is rewarded it twists something inside my god damn stomach and believe you me, that fucking stomach's got more knots in it than a guitar cable at a fucking open mic. And I just can't believe that some fucko stole the mixing board at that fucking 14 Below show and now we're going to be gigging until 2020 to get that shit back.

Not when I'm coming awake at night with the sheer existential terror of my plight. Not now, Jeebis. Not now. I don't want to have to be th' second shooter, Jeekers.

Yeah, This Just In.

So, you'll all be very happy to learn that this is the FIRST YEAR in my 20+ year working life that I've ever owed taxes above and beyond deductions. EVER. Once, in '92, when I cleared a grand total of about 8 thousand bucks, I paid zero and they even sent me a couple hundred, I guess out of sheer pity.

Thanks for the tax cunt. I mean cut. Fuckin' asshole. How many dead Iraqi babies does a hundred bucks buy?

4/10/2006

The Workings of th' 1979 Rhodes 88-key Stage Piano involve very little plastic.

What a god damn stage monster this is.

You really want to play two synths on one of those gay-ass Star Trek stands and look like Mr. Mr., hey, be my guest.

You want to have something onstage to play that looks as cool as a '65 P-bass or a cherry-red Gibson SG it's either this or th' mighty Wurlitzer, my friends. Those are your only choices. A Pianet or a Clavinova, maybe. But they don't lend themselves to piano technique like th' Rhodes. And no one's going to carry your Yamaha CP70 or yer B-3 and Leslie, fuck knows.

I took the tone/volume pots offline on this and run straight off the pickup to an MXR Dynacomp squishing pedal. THAT'S the ticket. Into the board or into a Twin, man. Bypassing the pots is supposedly a classic '70's mod that buys you brilliance and level.

But this isn't some weak tech article, man. We know what is at issue here is attitude and appearance. You put those under musical brilliance on your priority list you in th' wrong business. And when you're dealing with an instrument that is chrome and shiny black and white you've got an edge out of the box. The Rhodes looks like a chromed-out black '65 Dodge Prince Valiant and shrieks '70's in the best soul/funk/fusion sort of way.

And you have to realize, droogs, that the Rhodes is a passive instrument. I mean that only electronically. It's like an electric guitar; this keyboard does not plug in to the wall. You run a 1/4" cable right off it, man. And that means things have to physically hit things to make a sound. And that means you're playing an instrument, not an emulation of one. And if you carress it it will sound like the bells of Winchester Cathedral playing a G9#13 and if you brings your fingers down on it as hard as you can it will bark like a dismayed whale and it will give you command of the room. And it's very, very important to have command of the room. This is because otherwise you run the risk of someone else on stage achieving it and they are probably drunk or maybe even on white drugs if you're in LA and fuck knows what will happen then?

Command of the room can be achieved with the Rhodes. And you can ride big waves of ringing chords and hand-over-hand arpeggios and drop bass notes that the bass player dreams of. Lower than low B. It's 88 keys, man. It's a piano.

This keyboard is like a guitar.

Ladies and Gentlemen it gives me great pleasure to announce the arrival of a new, fresh voice on th' Orchestra

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

From the arid foothills of The Sierra Madres to the frozen tundra of New England ...comes the tale of a feist's courage and sacrifice...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

She heard a voice from th' heavens- distant at first and then clear and firm. 'Twas the voice of the Lord God

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

She followed the holy call as a healer, as a prophet. As a peacemaker.

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

AND THEN CAME THE DARK DAY WHEN SHE SACRIFICED ALL AND CLEANSED US OF OUR SINS

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

IT WAS ON THAT LONG AGO DAY...SHE GAVE A GIFT THAT WILL LIVE IN THE HEART OF MAN FOREVER...

THE PASSION OF TH' FEIST

THE PASSION OF TH' FEIST
THE PASSION OF TH' FEIST












THE PASSION OF TH' FEIST













THE PASSION OF TH' FEIST

4/09/2006

And Now A Bobby Lightfoot Parable Of Inspiration

One dark night during a tour through Th' Valley Of Death The Guitarist and I languished drunk and bellicose in a field in Illinois. Above us the heavens spun slowly, the stars bright and distinct in the clear air.

Look yonder, quoth The Guitarist, lo, it is the Big Dipper.

Nay, said I, impatient and filled (fill-ed) with bile. Verily, it is Orion.

I say unto you that you are wrong, quoth The Guitarist, and further, that thine brains are shit.

Smoke my pole, twinkie, responded I. I say to you that yonder is th' Constellation of Orion, and furthermore, to mistake it for Ursa Major is an affront to me and to The Lord Our God.

Very well, up and spake The Guitarist. Upon this difference shall we place a quarter-ounce of fine hydroponically grown weed, that we may wager and find who is in th' right.

Be it so, quoth I. A quarter-ounce of the finest smoke shall I wager that this is verily th' Constellation Of Orion.

And then there arose an angelic choir, and a clap of thunder spake, and who should stand before us but Jesus clad all in silk with a wide-brimmed floppy hat and platforms in that field in Saybrook, Illinois.

Down to our knees in wonder and fear we fell before Jesus, quaking and rending our hair. I, having hair of one half-inch in length, was reduced to pulling at my armpits and chest. And verily did it fucking hurt.

Verily do I say unto you that I am JESUS and I will resolve this wager of musicians, Jesus spake, for I am the Lamb of Peace and it is tearful unto me to see this discord.

Do either among you possess Eyeglasses? Jesus asked.

Tremulous and full of curiosity The Guitarist produced a pair of Eyeglasses and Jesus took these from him. Carefully removing the lenses, The Lord placed one lens in the large hole in his right hand and then placed one lens in the hole in his other hand. Then did Jesus of Aramathea hold one arm close and one at arm's length and along the line of sight of these lenses did Jesus look heavenward.

Come, my lambs, spake Jesus, and look upon the heavens through The Stigmatic Telescope, and argue no more but decide who is to have the hydroponic weed and who shall not this night.

And trembling, I came unto The Lord and peered through the lenses at the wondrous night sky. Fucking hell, quoth I, and a million curses! It is indeed The Big Dipper!

And then laughing did The Guitarist and The Lord repair to The Shady Inn Motel and smoke deeply of the quarter ounce of hydroponic weed and watch in laughter for many hours The Extreme Elimination Challenge on Spike TV.

And lo I was left without, to wander in the parking area until checkout.

With The Drummer.

Footprints In Th' Sand

One night a man had a dream.
He dreamed he was walking along the beach with the LORD.
Across the sky flashed scenes from his life.

For each scene, he noticed two sets of footprints in the sand:
one belonging to him, and the other to the LORD.

When the last scene of his life flashed before him he looked back at the footprints in the sand. He noticed that many times along the path of his life there were two sets of footprints interspersed with hand prints in the sand. This really bothered him and he questioned the LORD about it: "LORD, you said that once I decided to follow you, you'd walk with me all the way. But I have noticed that during the most troublesome times in my life there are two sets of footprints and handprints" The LORD replied: "My son, My precious child, I love you and I would never leave you. During your times of trial and suffering, when you see two sets of hand prints and foot prints it is because St. Peter and St. John joined us for nude wheelbarrow races."